本文以高雄廣播電臺FM94.3單元節目《大城小時光》（"Kaohsiung Moment"）為創作實踐對象，分析其中〈聲動：聲音中的律動〉系列作品之聲音設計與創作方法。創作初衷源自對高雄在地的情感，期望透過聲音採集，梳理大眾對公務體系的既有印象。在學理上，節目結合Crisell（1994）廣播盲媒介、Schafer（1977）聲景、Schaeffer（1966）聲音物件、Eisenstein（1949）蒙太奇、Chion（1994）視聽對位、Gorbman（1987）電影音樂功能，以及Derrida（1996）、Cook（2013）與Prelinger（2007）的檔案與活化等理論，分析如何運用田野收音、聲音拼貼、交錯敘事與主題配樂，將公務錄音與現場環境音轉化為具備故事性與人情溫度的公共傳播內容。
研究發現，此創作方法有機會回應檔案學界的「檔案活化」概念，將政府具「行政稽憑」性質的聲音資料轉化為具備傳播效果的加值應用。同時，在注重當事人隱私的前提下，展現公務體系的人情溫度，並凝聚聽眾對城市聲音記憶的認同，期盼能為政府聲音資料的公共應用，提供具體且切合實務的參考。

This study examines the audio design and creative methodology of Sound in Motion: The Rhythm Within Sound, a special series within Kaohsiung Moment, a short-form radio segment broadcast on Kaohsiung Broadcasting Station (FM94.3). Driven by the author's local connection to Kaohsiung and an effort to re-examine public perceptions of the civil service system through sound collection, this creative practice integrates various theoretical frameworks. These include Crisell’s (1994) radio as a blind medium, Schafer’s (1977) soundscape, Schaeffer’s (1966) sound object, Eisenstein’s (1949) montage, Chion’s (1994) audiovisual counterpoint, Gorbman’s (1987) film music functions, alongside archival theories and activation concepts proposed by Derrida (1996), Cook (2013), and Prelinger (2007). The thesis analyzes how field recording, sound collage, interwoven narratives, and thematic scoring can transform administrative audio recordings and ambient field sounds into narrative-driven public broadcasting content rich in human warmth.
The findings indicate that this creative methodology offers a potential response to the concept of "archival activation" within archival studies, converting government audio recordings originally kept for administrative record-keeping into value-added public communication tools. Furthermore, while strictly safeguarding personal privacy, this approach highlights the human touch within the civil service system and fosters listeners' identification with the city's shared auditory memory, serving as a practical reference for the public application of government sound data.

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Eisenstein, S. (1949). Film form: Essays in film theory (J. Leyda, Trans. & Ed.). Harcourt, Brace & World.
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