Works Cited
I. The primary sources:
Yeats, W. B. The Variorum Edition of the Poems of W. B. Yeats,
ed. Peter Allt and Russell K. Alspach. New York: Macmillan,
1957.
The Autobiography of William Butler Yeats. New York:Macmillan, 1965.
Essays and Introductions. New York: Macmillan, 1961.
Explorations. New York: Macmillan, 1962.
A Vision. London: Macmillan, 1937, 1985.
Essays. London: Macmillan, 1924.
II. The secondary sources:Adams, Hazard. Blake and Yeats: The contrary Vision. Ithaca:Cornell UP, 1955.
Albright, Daniel. The Myth Against Myth. London: Oxford UP, 1972.
Archibald, Douglas. Yeats. Syracuse: Syracuse UP, 1983.
Bayley, John. The Romantic Survival. London: Constable, 1957.
Bell, Vereen, and Laurence Lerner, eds. On Modern Potery.
Nashville: Vanderbilt UP, 1988.
Bloom, Harold. Yeats. New York: Oxford UP, 1970.
---. Poetry and Repression. New Haven: Oxford UP, 1976.
---,ed. Modern Critical Views: William Butler Yeats. New York:Chelsea House Publishers, 1986.
Bohlmann, otto. Yeats and Nietzsche. New Jersey: Barnes & Noble Books, 1982.
Bornstein; George. Yeats and Shelley. Chicago: University of Chicago Press, 1970.
Poetic Remaking: The Art of Browning, Yeats, and Pound.
University Park: The Pennsylvania state University, 1988.
Bowra, C. M. The Heritage of Symbolism. London: Macmillan, 1962.
Brooks, Cleanth. The Well Wrought Urn. New York: Harcourt, 1947.
---. The Hidden God. New Haven: Yale UP, 1963.
Brower, Reuben A. Twentieth-Century Literature 1n Retrospect. Cambridge, Massachusetts: Havard UP, 1971.
Brunner, Larry. Tragic Victory. New York: The Whitston Publishing Company, 1987.
Byrd, Thomas L., Jr. The Early Poetry of W. B. Yeats. New York:
Kennikat Press, 1978.
Daiches, David. More Literary Essays. Chicago: University of Chicago Press, 1968.
de Man, Paul. The Rhetoric of Romanticism. New York: Columbia UP,1984.
Donoghue, Denis. William Butler Yeats. New York: Viking, 1971.
---. We Irish. Brighton: The Harvester Press, 1986.
Ellmann, Richard. Yeats: The Man and the Masks. New York: Norton, 1979.
The Identity of Yeats. New York: Oxford UP, 1964.
Eminent Domain. New York: Oxford UP, 1967.
Four Dubliners. New York: George Braziller, 1987.
Engelberg, Edward. The Vast Design. Toronto: University of Toronto Press, 1964.
Finneran, 'Richard J. Critical Essays on W. B. Yeats. Boston: G. K. Hall, 1986.
Fraser, G. S. W. B. Yeats. London: Longmans, Green, 1962.
Frye, Northrop. The Stubborn structure. Ithaca: Cornell UP, 1970.
Garab, Arra M. Beyond Byzantium. Dekalb: Northern Illinois UP, 1969.
Garratt, Robert F. Modern Irish Poetry. Berkeley: University of
California Press, 1986.
Grossman, Allen R. Poetic Knowledge in the Early Yeats.
Charlottesville: The University Press of Virginia, 1969.
Harris, Daniel A. Yeats: Coole Park & Ballylee. Baltimore:
The Johns Hopkins UP, 1974.
Henn, T. R. The Lonely Tower. London: Methuen, 1965.
Hoffman, Daniel. Barbarous Knowledge. New York: Oxford UP, 1967.
Hone, Joseph. W. B. Yeats, 1865-1939. London: Macmillan, 1967.
Hough, Graham. The Last Romantics. London: Gerald Duckworth, 1978.
The Mystery Religion of W. B. Yeats. New Jersey: Barnes & Noble Books, 1984.
Jeffares, A. Norman. A New Commentary On The Poems of W. B.Yeats. London: Macmillan, 1984.
W. B. Yeats: Man and Poet. London: Routledge & Kegan Paul,1978.
The Circus Animals: Essays on W. B. Yeats. Stanford:Stanford UP, 1970.
Kermode, Frank. Romantic Image. London: Routledge & Kegan Paul,1957.
Kline, Gloria C. The Last Courtly Lover. Ann Arbor: UMI Research Press, 1983.
Koch, Vivienne. W. B. Yeats: The Tragic Phase. Baltimore: The Johns Hopkins Press, 1951.
Langbaum, Robert. The Mysteries of Identity. New York: Oxford UP,1977.
Lentricchia, Frank. The Gaiety of Language. Berkeley and Los Angeles: University of California Press, 1968.
Levine, Benard. The Dissolving Image. Detroit: Wayne state UP, 1970.
Loizeaux, Elizabeth Bergmann. Yeats and the Visual Arts. New Brunswick: Rutgers UP, 1986.
Lynch, David. The Poetics of the Self. Chicago: The University of Chicago Press, 1979.
Macneice, Louis. The Poetry of W.,B. Yeats. London: Faber and Faber, 1967.
Melchiori, Giorgio. The Whole Mystery of Art. Westport: Greenwood Press, 1960.
Miller, J. Hillis. Poets of Reality. Cambridge: Cambridge UP, 1966.
Muir, Edwin. The Estate of Poetry. Cambridge, Massachusetts: Havard UP, 1962.
Murphy, Frank Hughes. Yeats's Early Poetry. Baton Rouge: Louisiana State UP, 1975.
Nicholas, Ashton. The Poetics of Epiphany. Tuscaloosa: The University of Alabama Press, 1987.
O'Donnell, J. P. Sailing to Byzantium. New York: Octagon Books,1977.
Parkinson, Thomas." W.B. Yeats , self-Critic:A Study of His Early Verse" and "W. B. Yeats: The Later Poetry": Two Volumes in One. Berkeley: University of California Press, 1971.
Peterson, Richard F. William Butler Yeats. Boston: Twayne Publishers, 1982.
Rajan, Balachandra. W. B. Yeats: A Critical Introduction. London: Hutchinson University Library, 1965.
Rawson, C. J., ed. Yeats and Anglo-Irish Literature: Critical Essays by Peter Ure. Liverpool: Liverpool UP, 1974.
Regueiro, Helen. The Limits of Imagination. Ithaca: Cornell UP, 1976.
Richardson, James. Vanishing Lives. Charlottesville: University Press of Virginia, 1988.
Rosenthal, M. L. and Sally M. Gall. The Modern Poetic Sequence: The Genius of Modern Poetry. New York: Oxford UP, 1983.
Rudd, Margaret. Divided Image. New York: Haskell House, 1970.
Schricker, Gale C. A New Species of Man. Lewisburg: Bucknell UP,1982.
Seiden, Morton Irving. William Butler Yeats: The Poet As A Mythmaker. New York: Cooper Square Publishers, Inc., 1975.
Singh, G., ed. F. R. Leavis: Valuation in Criticism and other essays. Cambridge: Cambridge UP, 1986.
Snukal, Robert. High Talk. Cambridge: Cambridge UP, 1973.