| 研究生: |
施婕予 Shih, Jie-Yu |
|---|---|
| 論文名稱: |
生成式人工智慧導入數位策展之實作分析:以檔案修復主題為例 Implementation of Generative AI in Digital Curation: A Case Study on Archival Preservation |
| 指導教授: |
林巧敏
Lin, Chiao-Min |
| 口試委員: |
陳淑君
Chen, Shu-Jiun 吳紹群 Wu, Shao-Chun |
| 學位類別: |
碩士
Master |
| 系所名稱: |
文學院 - 圖書資訊與檔案學研究所 Graduate Institute of Library, Information and Archival Studies |
| 論文出版年: | 2026 |
| 畢業學年度: | 114 |
| 語文別: | 中文 |
| 論文頁數: | 185 |
| 中文關鍵詞: | 生成式人工智慧 、數位策展 、檔案修復 |
| 外文關鍵詞: | Generative Artificial Intelligence, Digital Curation, Archival Preservation |
| 相關次數: | 點閱:14 下載:0 |
| 分享至: |
| 查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報 |
近年來因科技進步,生成式人工智慧工具的出現,大幅改變了原先的工作模式。隨著技術的成熟,GAI已逐漸轉變為可輔助內容產製與知識組織的重要工具,並廣泛應用於教育、設計、媒體與文化內容生產等領域。在文化與策展實務中,展覽內容的規劃與敘事高度仰賴策展者對資訊的整合能力與詮釋判斷,而GAI的導入,可能改變傳統需耗費大量人力的策展流程,使內容生成、資料整理與展覽敘事方式產生新的可能性。
然而,生成式AI在策展情境中的實際表現仍存在需經過檢驗之處,包括其生成內容在專業正確性、敘事一致性、觀眾可理解性,以及價值傳達效果等方面,是否能滿足展覽實務需求。因此,本研究聚焦於生成式人工智慧應用於數位策展與檔案展覽之內容生成表現,透過不同工具之比較與評估,探討其在策展流程中的角色定位、應用潛力以及優勢與劣勢。
因此,本研究首先由專家針對ChatGPT、Claude與Gemini三種生成式AI工具,以檔案修復為主題所生成之展覽內容進行評估,並依據評估結果選取表現最佳之生成版本,進一步轉化為實際之數位展覽內容。其後,再由觀展者進行實際瀏覽與體驗評估,以比較不同使用者角色對於展覽內容品質與觀展體驗之感受差異。
研究結果顯示,專家對於三種GAI工具整體皆展現中高程度之正向表現,具備支援策展內容生成與輔助策展規劃之潛力。其中,ChatGPT在內容結構穩定性與敘事一致性方面表現較為均衡;Claude在專業性與內容深度上相對突出;Gemini則在知識密度與學術取向上較為明顯,但在部分構面之評價分布較為分散。
將專家與觀展者評估結果進行進一步比對發現,專家與觀展者之評價整體趨勢一致,皆肯定GAI生成內容於展覽設計中的應用價值,且觀展者之正向評價普遍略高於專家,顯示使用者在實際觀看體驗上對GAI生成內容之接受度較高。然而,專家評價相對較為保守,反映其在專業判準上更重視內容精確性與策展邏輯一致性。GAI已可作為數位策展流程中之輔助工具,特別適用於前期發想與內容架構建構階段,但仍需仰賴策展專業進行內容篩選、修正與整合,以確保展覽品質與知識傳達之正確性與深度。
In recent years, driven by technological advancements, the emergence of generative artificial intelligence tools has significantly transformed traditional workflows. As technology has matured, GAI has gradually evolved into an important tool that supports content production and knowledge organization, and has been widely applied in fields such as education, design, media, and cultural content production. In the context of culture and curatorial practice, the planning and narration of exhibition content heavily rely on curators’ ability to integrate information and make interpretive judgments. The introduction of GAI may transform traditional curatorial processes that require substantial human labor, creating new possibilities for content generation, data organization, and the construction of exhibitions.
However, the actual performance of generative AI in curatorial contexts still requires further examination, particularly in terms of accuracy, narrative consistency, audience comprehensibility, and the effectiveness of value communication, to determine whether it can meet practical exhibition needs. Therefore, this study focuses on the performance of generative artificial intelligence in content generation for digital curation and archival exhibitions, and explores its role, application potential, advantages, and limitations in the curatorial process through a comparative evaluation of different tools.
Accordingly, this study first invited experts to evaluate exhibition content generated by three generative AI tools, ChatGPT, Claude, and Gemini, based on the theme of archival preservation. Based on the evaluation results, the best-performing generated version was selected and further developed into a digital exhibition. Subsequently, visitors were invited to browse and evaluate the exhibition to compare differences in perceptions of content quality and user experience across different groups.
The results show that experts generally rated the three GAI tools as demonstrating moderately high positive overall performance, indicating their potential to support exhibition content generation and assist in curatorial planning. Among them, ChatGPT performed relatively balanced in terms of structural stability and narrative consistency; Claude demonstrated strengths in professional depth and content richness; and Gemini exhibited higher knowledge density and a more academic orientation, though its evaluation distribution was relatively more dispersed across dimensions.
A further comparison between expert and visitor evaluations revealed a consistent overall trend. Both groups affirmed the value of GAI-generated content in exhibition design, with visitors generally providing slightly higher ratings than experts, suggesting a relatively higher level of acceptance among users in actual viewing experiences. However, expert evaluations were comparatively more conservative, reflecting a stronger emphasis on content accuracy and curatorial logical consistency. Overall, GAI can serve as a supportive tool in digital curatorial workflows, particularly in the early ideation and structural development stages. Nevertheless, it still relies on curatorial expertise for content selection, refinement, and integration to ensure the accuracy and depth of knowledge communication and exhibition quality.
謝辭 i
摘要 ii
Abstract iv
圖目錄 viii
表目錄 ix
第壹章 緒論 1
第一節 研究動機 1
第二節 研究目的 3
第三節 研究問題 4
第四節 研究範圍與限制 4
第五節 名詞解釋 6
第貳章 文獻探討 9
第一節 數位策展與展示規劃 9
第二節 生成式人工智慧在策展之應用 16
第三節 展覽設計中的人機協作 23
第四節 人工智慧提示詞分析 28
第五節 數位策展平台分析 31
第六節 展覽評估指標分析 37
第參章 研究設計與實施 47
第一節 研究架構 47
第二節 研究方法 48
第三節 研究工具 50
第四節 研究對象 55
第五節 研究流程 57
第六節 資料處理與分析 61
第肆章 研究結果與分析 63
第一節 AI提示詞及互動過程分析 63
第二節 GAI生成內容量化評估指標結果分析 70
第三節 GAI生成內容專家訪談結果分析 89
第四節 觀展滿意度分析 112
第五節 綜合討論 137
第伍章 結論與建議 150
第一節 結論 150
第二節 建議 155
第三節 未來研究建議 157
參考文獻 159
附錄 169
附錄一:「GAI應用於檔案修復數位策展之內容品質」問卷調查表 169
附錄二:檔案修復專家訪談前言陳述及大綱 174
附錄三:受訪者同意書 176
附錄四:「GAI應用於檔案修復數位策展」觀展者問卷調查表 177
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全文公開日期 2027/07/23