本研究以罹患腦瘤（腦癌）之生命經驗發展《腦內異景 Brainscapes》系列創作，透過攝影、蒙太奇、拼貼與 AI 生成協作的創新結合，以及電影海報式的視覺形式，嘗試從病者視角重構病痛經驗與醫療權力之關係。
理論方面結合 Foucault 的醫療凝視、超現實主義與抵抗理論，並探討蒙太奇與拼貼如何作為病痛經驗視覺轉譯的方法。AI 生成影像則作為異質元素接合的媒介，其超現實與不確定性對應疾病經驗中的失序與未知，同時引發關於主體性與技術介入的反思。
透過創作與展覽，病痛經驗在視覺轉譯後超越了個人病史的再現，觀眾的多樣回應與自身經驗分享，使疾病得以與社會文化脈絡連結。病者主體也在藝術實踐中重新組織、療癒創傷，並在展示與重敘後獲得新意義。AI 作為創作協作者，在擴展視覺語彙的同時也成為連結醫療凝視與科技權力的隱喻結構之一。

This study develops the Brainscapes series based on the lived experience of a brain tumor. Through an innovative combination of photography, montage, collage, and AI-generated collaboration, together with a film-poster-inspired visual format, the project attempts to reconstruct the relationship between illness experience and medical power from the perspective of the patient.
Theoretically, this study draws on Foucault’s concept of the medical gaze, surrealism, and theories of resistance, while also examining how montage and collage can serve as methods for the visual translation of illness experience. AI-generated imagery functions as a medium for assembling heterogeneous elements. Its surreal quality and uncertainty correspond to the disorder and unknown dimensions of illness, while also prompting reflections on subjectivity and technological intervention.
Through the process of creation and exhibition, illness experience, once visually translated, moves beyond the representation of a personal medical history. The diverse responses from viewers, together with their sharing of personal experiences, connect illness to broader social and cultural contexts. Within artistic practice, the patient subject is reorganized, traumatic experience is healed, and new meaning is generated through presentation and narration. As a creative collaborator, AI expands the visual vocabulary of the work while also serving as one of the metaphorical structures linking the medical gaze and technological power.

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