本研究透過分析不同世代達悟族人作為文化中介者在觀光產業中如何定位並實踐文化知識，探討觀光發展對 Pongso no Tao 所帶來的環境與文化意涵。研究採取歷史視角，將世代差異理解為特定社會歷史條件的產物，而非單純年齡差別。這些條件受到環境變遷、教育經驗與經濟結構限制所形塑，進而影響導覽實踐，以及與土地、社群與文化權威之間的關係。

研究結果顯示，儘管兩個世代皆成長於 Pongso no Tao，文化詮釋的實踐仍呈現明顯的世代斷裂。於觀光發展初期返鄉者，其導覽深深奠基於長期在地居住經驗與與環境持續互動之中，能在空間敘事裡自然融入口述歷史與達悟知識。相對地，當代返鄉者的成長歷程本身即置於漢人主導的教育與社會制度之中，並在一個已被資本化基礎建設深刻改變的島嶼上從事導覽。在效率與遊客期待的壓力下，其文化詮釋逐漸趨於標準化，反映出原住民知識體系在結構層次上的位移。然而，觀光並非僅意味文化流失，而是一個持續協商與競逐的場域。在此脈絡下，招魚祭 Mivanwa 成為關鍵的實踐場域。透過共同勞動與儀式參與，返鄉達悟族人逐步在社群中重新定位自身，並重新學習如何以達悟的觀點理解與詮釋自身文化。

This research examines the environmental and cultural implications of tourism development on Pongso no Tao by analyzing how different generations of Tao people, acting as cultural brokers, position and enact cultural knowledge within the tourism industry. Adopting a historical perspective, generational difference is understood not as a matter of age but as the outcome of distinct sociohistorical conditions shaped by environmental change, educational experience, and economic constraints. These conditions shape guiding practices as well as relationships to land, community, and cultural authority.

The findings indicate a profound generational fracture in the practice of cultural mediation despite shared childhood experiences on Pongso no Tao. Cultural brokers who returned during the early phase of tourism development ground their guiding practices in long-term dwelling within the community and sustained interaction with the environment. Their narratives integrate oral histories and Tao knowledge directly into spatial interpretation. In contrast, contemporary returnees were socialized within Han-dominated educational and social institutions from early life and now conduct guiding on an island already transformed by capitalist infrastructure. Under pressures for efficiency and visitor expectations, interpretive practices tend to become standardized, reflecting a broader structural displacement of Indigenous epistemologies. Rather than representing simple cultural loss, tourism guiding emerges as a contested field of negotiation. Within this context, the Flying Fish Summoning Ritual Mivanwa functions as a key arena of practice. Through shared labor and ritual participation, returning Tao gradually reposition themselves within the community and relearn to interpret culture from a Tao perspective.

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