跳到主要內容

簡易檢索 / 詳目顯示

研究生: 賴愛黎
Alice Laval
論文名稱: 上海創意中心:中國文創商業化現象
Shanghai creative hub : the culture commercialization phenomenon in China
指導教授: 冷則剛
Leng, Tse-Kang
口試委員: 何富年
Ho, Foo-Nin
張大為
Chang, David
學位類別: 碩士
Master
系所名稱: 商學院 - 國際經營管理英語碩士學位學程(IMBA)
International MBA Program College of Commerce(IMBA)
論文出版年: 2019
畢業學年度: 107
語文別: 英文
論文頁數: 71
中文關鍵詞: 創意持續成長社會包容上海城市規劃
外文關鍵詞: Creativity, Sustainable growth, Social inclusion, Shanghai, Urban development
DOI URL: http://doi.org/10.6814/NCCU201900248
相關次數: 點閱:52下載:0
分享至:
查詢本校圖書館目錄 查詢臺灣博碩士論文知識加值系統 勘誤回報

  • This paper studies the culture commercialization phenomenon in China, through the analysis of the region of Shanghai as a creative hub. While this paper contributes to a large body of literature focusing on creative clusters, it is providing a new integrated economic vision of China, as the country is advancing from a developing economy to a more mature state.
    Between urban regeneration, social inclusion and economic growth, the present study aims to explore the precise processes and consequences of modern Chinese cultural initiatives. In order to do so, this paper first includes a review of previous literature allowing the establishment of a cultural analytic framework. This is then used to analyze Shanghai, first as a creative city and then as the origin point for the creation of a network effect impacting its entire direct regional environment.
    This research finds that Shanghai, similarly to many of its western cultural equivalents, is at the forefront of cultural innovation. The establishment of the city as a creative and cultural capital reflects China’s potential appetite for a softer economy. However, while this indicates an interesting political direction, it is also another cause for increased social tensions, and has produced a vast array of undesired outcomes. While these consequences are not as present as they were in the past, they still constitute an important challenge for government officials and potential foreign investors.

    1. Introduction 1
    2. Literature Review 6
    2.1. The Chinese context – a comparison with its American liberal counterpart 6
    2.2. The emergence of a cultural economy and a creative class 11
    2.3. From creative clusters to creative cities: a modern urbanism tell-tale 15
    2.4. Creative Cities: the origin of a complex web of network effects 19
    2.5. Literature Review Summary 24
    3. Research Methodology 26
    3.1. Shanghai: a breath of modernity in China 27
    3.2. An integrated conceptual framework 29
    4. The case of Shanghai 33
    4.1. The emergence of Shanghai as a creative city 33
    4.2. The core of the changes: new urban hallmarks, transformation of urban spaces and clustering processes 35
    4.3. A more subtle approach: the underlying socioeconomic impacts 39
    4.4. Shanghai: the heart of a complex ecosystem 46
    4.5. Main findings and conclusions 50
    4.5.1. The role of the context 51
    4.5.2. The construction of a global cultural image 51
    4.5.3. The governmental support paradox 51
    4.5.4. The establishment of a creative ecosystem 52
    5. Discussion 53
    5.1. Exploration of the case study main findings 54
    5.1.1. The role of the context 54
    5.1.2. The construction of a global cultural image 54
    5.1.3. The governmental support paradox 55
    5.1.4. The establishment of a creative ecosystem 56
    5.2. A critical point of view 57
    6. Conclusion 59
    7. References 63
    8. Appendix 68

    Acs, Z. (2006). How is entrepreneuship good for economic growth ? . Innovations, technology, governance, globalization. 1(1), 97-107.
    Bosworth, D., & Yang, D. (2000). Intellectual property law, technology flow and licensing opportunities in the People's Republic of China. International Business Review, 9(4), 453-477.
    CGTN (Director). (2017). Episode 6 of Bird’s-eye China: Shanghai, a gateway to the world [Motion Picture].
    Chakravartty, P., & Sarikakis, K. (2006). Media policy and globalization. New York: Palgrave Macmillan.
    Changwook, K. (2017). Locating creative city policy in East Asia: neoliberalism, developmental state and assemblage of East Asian cities. International Journal of Cultural Policy, 23(3), 312-330.
    Chen, C. (1992). Modernization in mainland China: self-reliance and dependence. American Journal of Economics and Sociology, 51 (1), 57-68.
    Chen, H. (2017, December 15). Shanghai to boost cultural and creative industries. Retrieved from SHINE - Beyond a single story: https://www.shine.cn/news/metro/1712157845/
    Comunian, R. (2010). Rethinking the creative city: the role of complexity, networks and interactions in the urban creative economy. Urban studies, 10, 1-23.
    Ding, S., & Saunders, R. (2006). Talking up China: An analysis of China's rising cultural power and global promotion of the Chinese language. East Asia, 23(2), 3-33.
    Engberg, J. (2017, September 6). What makes a creative city ? Retrieved from The Guardian: https://www.theguardian.com/artanddesign/2017/sep/06/what-makes-a-creative-city
    EU SME Centre. (2014). Culture and Creative Industries in China. Online: EU SME Centre.
    Evans, G. (2009). Creative cities, creative spaces and urban policy. Urban Studies, 46(5-6), 1003-1040.
    Florida, R. (2002). The rise of the creative class (Vol. 9). New York: Basic books.
    Florida, R. (2003). Cities and the creative class. City & community, 2(1), 3-19.
    Florida, R. (2006). The flight of the creative class: the new global competition for talent. Liberal Education, 92 (3), 22-29.
    Garcia, B. (2004). Cultural policy and urban regeneration in Western European cities: lessons from experience, prospects for the future. Local Economy, 19(4), 312-326.
    Gentleman in China. (2018, April 26). The Art Market Analysis of China. Retrieved from Marketing to China: https://www.marketingtochina.com/art-market-analysis-china/
    Guibourg, C. (2015, July 23). This chart shows just how many startups are launched worldwide every second. Retrieved from City A.M: http://www.cityam.com/220819/graphic-shows-just-how-many-startups-are-launched-worldwide-every-second
    Hall, C. (2018, October 10). Shanghai’s Hotbed of Entrepreneurship. Retrieved from Business of fashion (BoF): https://www.businessoffashion.com/articles/global-currents/big-business-behind-the-scenes-in-shanghai
    Harvey, D. (2007). A brief history of neoliberalism. USA: Oxford University Press.
    Hill, R., & Kim, J. (2000). Global cities and developmental states: New York, Tokyo and Seoul. Urban Studies, 37(12), 2167-2195.
    Jacobs, L., Guopei, G., & Herbig, P. (1995). Confucian roots in China: a force for today's business. Management Decision, 33(10), 29-34.
    Keane, M. (2009). Creative industries in China: four perspectives on social transformation. International Journal of Cultural Policy, 15(4), 431-443.
    Keane, M. (2013). China's new creative clusters: Governance, human capital and investement. Routledge, 1-21.
    Landry, C. (2012). The creative city: A toolkit for urban innovators. Routledge.
    Lee, J., & Zhu, Y. (2006). Urban governance, neoliberalism and housing reform in China. The Pacific Review, 19(1), 39-61.
    Lin, Y. (1979). The Crisis of Chinese Consciousness. Madison: University of Wisconsin Press.
    Mälkki, T. (2019). Global Business Cities 2025 - Statistica City Reports. Online: Statistica.
    MacCulloch. (2014). Culture, Beliefs and Economic Performance. Motu Economic and Public Policy Research.
    Miller, T. (2010). Culture+Labour=Precariat. Communication and critical/cultural studies, 7 (1), 96-99.
    Mommaas, H. (2004). Cultural clusters and the post-industrial city: towards the remapping of urban cultural policy. Urban studies, 41 (3), 507-532.
    Mooney, G. (2004). Cultural policy as urban transformation ? Critical reflections on Glasgow, European city of culture 1990. Local economy, 19(4), 327-340.
    Niu , W., & Kaufman, J. (2013). Creativity of Chinese and American cultures: A synthetic analysis. The Journal of Creative Behavior, 47(1), 77-87.
    O'Connor, J. (2009). Shanghai Moderne: Creative economy in a creative city ? Creative Economies, Creative Cities, 175-193.
    O'Connor, J., & Xin, G. (2006). A new modernity? The arrival of "creative industries in China. international Journal of Cultural Studies, 9(3), 271-283.
    OECD. (2018). Entrepreneuship at a Glance - 2018 Highlights. online: SDD.
    Olivia Bensimon. (2017, December 18). Intersections: Art and Space in Shanghai. Retrieved from olivia-bensimon.com: https://olivia-bensimon.com/writing/2017/12/18/intersections-art-and-space-in-shanghai
    Ponzini, D., & Rossi, U. (2010). Becoming a creative city: The entrepreneurial mayor, network politics and the promise of an urban renaissance. Urban Studies, 47(5), 1037-1057.
    Scott, A. (2004). Cultural-products industries and urban economic development: prospects for growth and market contestation in globla context. Urban affairs review, 39 (4), 461-490.
    Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage. (2017). Museums in Shanghai. Online: Shanghai Municipal Administration of Culture, Radio, Film & TV and Shanghai Municipal Administration of Cultural Heritage.
    Shen, X., Zhong, Y., & Zheng, Q. (2018, July 2). Fast statistics: expats in Shanghai. Retrieved from Shine - Beyond a single story: https://www.shine.cn/feature/lifestyle/1807027797/
    Shi, J. (2017, December 22). Cultural sector poised for a boost . Retrieved from China Daily : http://www.chinadaily.com.cn/a/201712/22/WS5a3ccd13a31008cf16da2f28.html
    Sofield, T. H., & Li, F. M. (1998). Tourism development and cultural policies in China. Annals of tourism research, 25(2), 362-392.
    Theofilou, P. (2013). Quality of Life: Definition and Measurement. Europe's journal of psychology, 9(1).
    UHY. (2017). The increasing pace of business creation around the world - International study, measuring the agility of developed vs. emerging economies. Online: UHY.
    UNESCO. (2017). Report 2013-2016 - SHANGHAI: UNESCO CITY OF DESIGN. Online: UNESCO.
    Wu, F. (2000). The global and local dimensions of place-making: remaking Shanghai as a world city. Urban Studies, 37(8), 1359-1377.
    XERFI Global. (2019). Chine: Tendances et Prévisions Macroéconomiques. Paris (France): XERFI reports.
    XNT. (2016, November). Shanghai’s Quickly Becoming The Next Startup & Innovation Hub. Retrieved from The X Node: http://www.thexnode.com/blog/shanghai-s-quickly-becoming-the-next-startup-innovation-hub
    Yang, L. (2007). East Meets West. Hermann Schmidt Verlag. Retrieved from bsix12: http://bsix12.com/east-meets-west/
    Young, D., & Chipman Koty, A. (2019, June 21). The US-China Trade War: A Timeline. Retrieved from China Briefing: https://www.china-briefing.com/news/the-us-china-trade-war-a-timeline/
    Zheng, J. (2011). 'Creative industry clusters' and the entrepreneurial city' of Shanghai. Urban Studies 48(16), 3561-3582.
    Zheng, J., & Chan, R. (2014). The impact of 'creative industry clusters' on cultural and creative industry development in Shanghai. City, Culture and Society. 5(1), 9-22.
    Zuo, M. (2018, January 28). Shanghai wants you ... but can it really be as attractive to foreigners as Hong Kong. Retrieved from South China Morning Post: https://www.scmp.com/news/china/society/article/2130871/shanghai-wants-you-can-it-really-be-attractive-foreigners-hong

    無法下載圖示 此全文未授權公開
    QR CODE
    :::