這是一篇關於「cyborg」這個概念的Harawayan研究；同時，透過論文中五篇文章矛盾複雜的關係，間接地對論文思維、寫作與閱讀歷程進行cyborgian解構。

本文藉由D. J. Haraway論述理路詮釋關於「cyborg」這個概念。透過拼貼混合Haraway諸多論述概念，我們建構一個「有名無實的」cyborg具相；在闡述cyborg這個概念的同時，我們也重構了Haraway的論述理路。

除此之外，本文並非將cyborg體現為一種純粹的後設精神，我們必須把cyborg視為一種反身性人造主義式地顯相╱繞射╱模控式構成組合的過程╱結果，一種體現差異的污損實踐╱工具。因此，寄予所呈現出的「論文形式」作為一種體現差異的cyborgian對反政治體幹，透過如此表現方式進而打破統治性╱既有社會科學式論文形式的想像，同時也在此等書寫╱閱讀╱嬉戲過程中體現cyborg這個概念對論文形成過程儀式性物質化實踐的污損逾越。

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電影
Cronenberg, D.（1996）：《超速性追緝》。臺灣：龍祥。

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士郎正宗（1996）：〈學習課程〉，《攻殼機動隊（1）》，頁21-22。臺北：尖端。
士郎正宗（1996）：〈靈魂複製〉，《攻殼機動隊（1）》，頁136。臺北：尖端。
士郎正宗（1997）：〈靈魂入侵〉，《攻殼機動隊（全）》，頁34。臺北：尖端。
士郎正宗（1997）：〈毀滅原初〉，《攻殼機動隊（全）》，頁209。臺北：尖端。
士郎正宗（1999）：〈草薙素子〉，《攻殼機動隊（2）》封底。臺北：尖端。
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木城ゆきと（1994）：〈凱麗及其朋友〉，《銃Gunnm夢（7）》，頁26-27。臺北：尖端。
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