本研究以2024年播出的中國電視劇《玫瑰的故事》為分析文本，援用自我決定論（SDT）作為核心分析框架，結合女性主義與質性影視文本分析取徑，從兩個層次探討電視劇如何建構當代女性自主，以動機理論深化影視文本分析的微觀視角，並以性別理論補充自我決定論在文化脈絡分析上的不足，使兩者形成跨領域的對話。其一，聚焦女主角黃亦玫及主要女性群像在婚戀、家庭與職涯等關鍵抉擇情節中，如何協商自主性、能力感與關係三項基本心理需求，以及需求狀態如何影響其動機調節與自我價值形塑；其二，分析電視劇如何透過角色配置與性別權力互動，界定女性自主的樣態與邊界。

在角色主觀經驗的層次上，文本透過具體的生命處境細膩刻劃女性反覆受挫與整合的動態歷程。黃亦玫在初戀中經歷自主需求的失衡，在婚姻中面對日常話語規訓對能力感的壓縮，在離婚後重建生活主導感，並在與傅家明的相遇與失去中完成關係需求的深層整合。透過蘇更生、姜雪瓊與其他女性群像的並置，文本展開了女性自主以多重樣態被協商的敘事圖景；在文本敘事建構的層次上，各角色自主實踐的可能性與其資源條件密切相關，性別權力也在合理化的日常話語中悄然運作，可見《玫瑰的故事》在賦予女性主體性可見性的同時，折射出當代性別秩序以隱微方式持續運作的輪廓，介於結構性批判與市場化敘事之間，形成具有內在張力的敘事位置。

This study examines the 2024 Chinese television drama The Story of Rose, employing Self-Determination Theory (SDT) alongside feminist theory and qualitative media text analysis — placing motivational theory and gender theory in cross-disciplinary dialogue — to explore how the drama constructs contemporary female autonomy across two levels: how key female characters negotiate three basic psychological needs in critical life moments, and how the drama defines the boundaries of female autonomy through character configuration and gendered power dynamics.
The drama portrays self-worth not as linear growth but as a dynamic process of setbacks and integration. Huang Yimei experiences a thwarting of her autonomy needs in her first relationship, suppression of competence through the disciplinary discourse of domesticity in marriage, a rebuilding of agency after divorce, and deeper integration of relational needs through her encounter with and loss of Fu Jiaming. Through the juxtaposition of supporting female characters, the drama presents female autonomy as negotiated across multiple conditions.
Each character's autonomous practice is tied to her available resources, and gendered power operates quietly through everyday language of care. Ultimately, the drama grants female subjectivity visibility while reflecting a gender order that continues in subtler ways, positioning itself between structural critique and market-oriented storytelling.

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