隨著虛擬實境技術的快速發展，電影式虛擬實境（CVR）成為結合電影敘事與沉浸體驗的新型態媒介。然而，CVR賦予觀眾高度觀看自主性，使創作者難以如傳統電影般精準掌控視線導向，使得觀眾容易錯過敘事重點。因此，本研究試圖以「CVR創作者如何在敘事設計中兼顧注意力引導、認知負荷控制與臨場感維持」為核心問題，探討創作者於實務創作中的設計思維與決策過程。
本研究採質性研究取徑，透過深度訪談多位具CVR創作經驗之導演與製作人員，蒐集第一線實務經驗，並結合文獻分析進行主題歸納與比較分析，有如下重要發現：
1.CVR敘事之注意力引導應秉持「內容為本、技術為輔」的創作原則，以位置錯覺（PI）與合理性錯覺（Psi）作為核心，依據敘事需求選擇引導手法，而非拘泥於提示類型或技術形式之差異。
2.現階段創作者於實務創作中多採取低風險、隱性的保守引導策略，透過調控時間與空間敘事密度以避免認知負荷過載，從而兼顧敘事穩定性與臨場體驗品質。
3.目前CVR敘事語法仍處於發展過渡階段，隨著觀眾媒介適應能力的提升與相關技術的逐步成熟，未來注意力引導模式可望朝向更為開放且多元的方向發展。
本研究之貢獻在於補充過往以實證取向為主之注意力引導研究，轉由創作者實務視角切入，系統性探討CVR注意力引導之整合性脈絡，為沉浸式敘事設計提供具理論支撐的實務參考，並奠定未來相關研究與創作實踐之重要基礎。

Cinematic Virtual Reality (CVR) has emerged as a new medium that integrates cinematic storytelling with immersive experiences. However, CVR affords audiences a high degree of viewing freedom, making it difficult for creators to control viewers’ attention, which often leads to viewers missing key points. Therefore, this study aims to explore the design strategy of creators, focusing on the question: "How do CVR creators balance attention guidance, cognitive load control, and the maintenance of presence in narrative design?" The study yielded the following important findings:
1.Attention guidance in CVR narratives should adhere to the principle of "content first." It should center on Place Illusion (PI) and Plausibility Illusion (Psi).

2.Currently, creators mostly adopt low-risk, implicit, and conservative guidance strategies in practice. By modulating temporal and spatial narrative density to avoid cognitive overload, they balance narrative stability with the quality of the immersive experience.

3.CVR narrative is still in a transitional stage of development. With the improvement of the audience's adaptation to the medium and the gradual maturation of related technologies, future attention guidance models are expected to evolve toward more open and diverse directions.
By shifting to the practical perspective of creators, this study systematically explores the integrated context of CVR attention guidance. It provides theoretically supported practical references for immersive narrative design and lays an important foundation for future research and creative practice.

張玉音（2021 年 1 月 19 日）。〈說服觀者「沉浸」的技術，專訪陳芯宜：VR的語言─攸關「身體」〉，《典藏 ARTouch》。取自 https://artouch.com/art-views/interview/content-32527.html
彭美君（2021 年 6 月 28 日）。〈專訪李懷瑾×許智彥×徐漢強談VR電影——分不清真偽的沉浸式互動體驗〉，《新思潮派》。取自 https://zh.soundoflife.com/blogs/people/taiwan-vr-films-interview-with-grace-huai-chin-lee-hsu-chih-yen-and-john-hsu
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