《SONIA》是一部以鬼魂、機器人及紙紮娃娃等非人類角色講述勞動困境的戲劇文本，全劇共有八場，探討傳統勞動跟機器勞動，以及人與鬼魂的衝突，以及在層層權力關係交織以下，性別及動物權往往被犧牲的觀點。

本文包含創作論述及戲劇文本，論述分別為文本的背景、發想、文獻探討、人物設定、讀劇執行過程及相關回饋、檢討以及未來建議，戲劇文本包含戲劇大綱、分場大綱及全文文本。

SONIA is a play about labor and living difficulties. The background is set at an underground construction site. There are five non-human roles in the play including a ghost, a robot, two Chinese paper dolls and a burned-dead dog. It examines conflicts between traditional labor and robotization of work, also between human and ghost.

The critical essay includes motivation, creative process, character background, production process and related reviews. Treatment, step outline (scene outline) and full text of the story can also be found in the essay.

中文文獻

張君玫譯（2010）。《猿猴、賽伯格和女人：重新發明自然》。台北：群學。（原書Donna Haraway [1996]. Simians, Cyborgs, and Women: The Reinvention of Nature. London, United Kingdom: Free Association Books.）
曹榮湘編（2004）。《後人類文化》。上海：上海師範大學印刷廠。
嚴慧瑩譯（2017）。《薛西弗斯的神話》。台北：大塊文化。（原書Albert Camus [1942]. The Myth of Sisyphus. France: Éditions Gallimard.‎）

英文文獻

Adrienne Evans and Sarah Riley(2017).The Entrepreneurial Practices of Becoming a Doll. Aesthetic Labour: Rethinking Bequty Politics in Neoliberalism.
Charlton Andrews(1915). The Technique of Play Writing. New York: Cornell University Library.
Fisher(2016). Touchscreen Capture. Noon: Post-online. Vol 6. P.12-27.
Gray(2002). Cyborg Citizen. United Kingdom: Routledge. p.9.
N. Katherine Hayles(1999). How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press.
Philip Effiom Ephraim(2016). Gamin as Heroine: A Feminist Critique of Chaplin's Modern Times. GAU Journal of Social Sciences. Vol 8. Issue 1, p. 1-7.
Tolliday, Steven & Zeitlin, Jonathan.(1987) The Automobile Industry and its Workers: Between Fordism and Flexibility. New York: St.Martin's Press, p.1-2.
Turing, A. M. (1950). Computing machinery and intelligence. Mind, 59(236), p.433-460.

網路資源

Franky（2019年1月14日）。升評運動。取自https://www.facebook.com/Criticsproject/photos/a.2416816398347059/2420246618004037/?type=3&theater。
林君舫（2015年6月4日）。疑沼氣中毒　父子下水道施工1死1昏迷。TVBS新聞網。取自https://news.tvbs.com.tw/focus/601532。
福特制（2018年5月24日）。維基百科。取自https://zh.wikipedia.org/wiki/%E7%A6%8F%E7%89%B9%E5%88%B6。
老班（2019年1月14日）。《觀《Sonia》 – 人與機械人的界限》。升評運動。取自https://www.facebook.com/Criticsproject/photos/a.2416816398347059/2420276761334356/?type=3&theater。
老班（2019年2月14 日）。《城市之於藝穗的意義──觀「第十八屆澳門城市藝穗節」。「論盡媒體／藝文爛鬼樓」。取自https://aamacau.com/2019/02/14/%E5%9F%8E%E5%B8%82%E4%B9%8B%E6%96%BC%E8%97%9D%E7%A9%97%E7%9A%84%E6%84%8F%E7%BE%A9%E2%94%80%E2%94%80%E8%A7%80%E3%80%8C%E7%AC%AC%E5%8D%81%E5%85%AB%E5%B1%86%E6%BE%B3%E9%96%80%E5%9F%8E%E5%B8%82%E8%97%9D/。
胡亂來（2007年12月23日）。《大都會》Metropolis(1927)〔部落格文字資料〕。RunRun Cinemas。取自：http://ckhu1104.pixnet.net/blog/post/16922527-%E3%80%8A%E5%A4%A7%E9%83%BD%E6%9C%83%E3%80%8Bmetropolis-%281927%29。
董啟章（2018年8月9日）。Ghost on the Shelf。明周。取自https://bkb.mpweekly.com/cu0006/ghost-on-the-shelf/20180809-80170。

影視作品

Annabel Jones, Barney Reisz. (Producers). Owen Harris, Carl Tibbetts, Otto Bathurst etc. (Directors). (2011-2018). Black Mirror. United Kingdom: Endemol UK.
Charlie Chaplin. (Producer). Charlie Chaplin. (Director) (1936). Mordern Times. United States: RBC Films.
Erich Pommer. (Producer). Fritz Lang. (Director). (1927). Metropolis. Germany: Ufa.
Janathan Nolan, Lisa Joy etc. (Producers.). Janathan Nolan, Lisa Joy. (Directors). (2016-2018). Westworld. United States: Warner Bros. Television Distribution.
Joel Silver. (Producer). The Wachowshi Brothers. (Directors) (1999). The Matrix. United States&Australia: Warner Bros & Roadshow Entertainment.
Trevor Albert, Harold Ramis. (Producers). Harold Ramis (Director). (1993). Groundhog Day. United States: Columbia Pictures.