本研究旨在探討 Jacques Audiard 執導之電影《璀璨女人夢》（Emilia Pérez, 2024）在網路電影資料庫（IMDb）數位公共領域中的全球受眾接收。透過將該片置於跨國媒體產製與在地文化關懷的交會點，本研究聚焦分析觀影者如何協商、解構該作所獲之美學讚譽，與其描繪敏感社會及認同議題時所引發的內在張力。
本計畫採質性研究設計，系統性地針對 562 則用戶評論進行情感圖譜分析（Sentiment Analysis），並結合批判性話語分析（Critical Discourse Analysis, CDA），藉以剖析受眾的文本詮釋策略與語言評論。
研究結果顯示，受眾反應呈現顯著的批判性傾向，其中負面情感片段構成數據集之主體（共計 745 個編碼），大幅超過正面編碼（465 個）。進一步分析指出，受眾的詮釋社群（Interpretive Communities）陷入兩極化的立場角力：部分觀眾訴諸電影的風格化美學，以證成角色個人救贖的敘事合理性；另一部分觀眾則嚴詞譴責其對犯罪敘事與刻板印象的依賴，並將之視為一種文化強加（Cultural Imposition）。
綜上所述，本研究總結認為，上述論述模式深刻反映了電影產業精英的「專業視角」與全球影迷所訴求的「文化問責」（Cultural Accountability）之間，正日益擴大的實質斷裂。本研究進一步深化了既有的學術前提：跨國文本的意義建構並非固定不變，而是透過公眾文化認同與倫理信念持續進行動態協商的批判過程。

This study examines the international audience reception of the cinematic production Emilia Pérez (2024) within the digital public sphere of the Internet Movie Database (IMDb). By situating the film at the intersection of global media production and local cultural concerns, the study explores how viewers navigate the conflict between the work’s aesthetic accolades and its portrayal of sensitive social and identity issues. A qualitative research design was utilized, integrating a systematic emotional mapping of 562 user reviews with Critical Discourse Analysis(CDA) of audience language and interpretive strategies. The findings indicate a predominantly critical reception, as negative sentiment segments constitute the most significant portion of the dataset with 745 codes compared to 465 positive codes . The analysis suggests that the interpretive community of audience engages in a polarized struggle, utilizing the film’s stylized presentation to either validate a story of personal change or to condemn its reliance on criminal narratives as a form of cultural imposition . Ultimately, this study concludes that these patterns reflect a widening disconnect between the professional vision of film industry elites and the cultural accountability demanded by global moviegoers . This study reinforces the premise that the meaning of a transnational text is never fixed but is instead continuously negotiated through the cultural identities and ethical beliefs of the public .

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