| 研究生: |
孟立誠 Al Haris Noman |
|---|---|
| 論文名稱: |
針對台灣大學生對印度形象之探究 India's Image among English Speaking Taiwanese University Students |
| 指導教授: |
王淑美
Wang, Sumei |
| 學位類別: |
碩士
Master |
| 系所名稱: |
傳播學院 - 國際傳播英語碩士學位學程(IMICS) International Master's Program in International Communication Studies(IMICS) |
| 論文出版年: | 2017 |
| 畢業學年度: | 105 |
| 語文別: | 英文 |
| 論文頁數: | 121 |
| 中文關鍵詞: | 意象 、想像 、寶萊塢 、文化互動 、呈現 、教科書 |
| 外文關鍵詞: | Image, Imagination, Bollywood, Mediated cultural interaction, Representation, Textbooks |
| 相關次數: | 點閱:52 下載:21 |
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This thesis explores India's image among English speaking Taiwanese university students. Its purpose is to know the range of images Taiwanese have about India. The sources of these images are also explored. This research seeks to unravel the influence of movies, textbooks, personal interactions, and mediated (cultural) interactions in shaping India’s image.
For the above, the theoretical and conceptual framework is largely drawn from works related to imagination and representation, particularly scholarship related to concepts of media representation, Bollywood and cultural interaction. This thesis follows the argument that media representation is taking new forms and meanings influenced by globalization, Bollywood movies, and mediated cultural interactions. Besides movies, school textbooks were found to have a major influence, especially during a formative, young age. Movies and textbooks together have been a major influence in facilitating the shape of India’s image among Taiwanese.
In this thesis, I hope to illustrate the range of images of India and the key sources that influence perceptions about India. The methodology taken for this study was participant observation and focus group discussions (FGD). For this study, three focus groups were conducted with English speaking Taiwanese university students. In the first FGD, a Bollywood movie was shown to participants, so as to initiate a common point for discussion to take off. The subsequent two FGDs were held with those who have been to India and with those who have never been to India respectively.
1. Introduction 1
1.1 India through the eyes of my Taiwanese friends and classmates 2
1.2 Motivation 5
2. Literature review 6
2.1 Definition of Image 6
2.2 Country image 7
2.3 Categories of definition 9
2.4 National identity and National stereotype 9
2.5 Theories on representation 10
2.6 Approaches to the study of representation and meaning production 12
2.7 Impact of globalization on the study of media representation 14
2.8 Movies: Imagination and representation 17
2.9 Media representation(s): The case of Bollywood 18
2.10 Mediated (?) identities cultural interaction 21
2.11 Conclusion 22
3. Methodology 24
3.1 Research design 28
3.2 Data collection process 29
3.3 “The Lunchbox” 30
3.4 The mood of the field 33
3.5 Data Sources 33
4. India through the lens of Bollywood; Pilot FGD and its results 34
4.1 Introduction of FGDs; second and third 39
4.2 Population, poverty and the slums 41
4.3 Question of modernity, health hygiene, security 48
4.4 Indian Food 52
4.5 Gender relations and family life in India 60
4.6 Tradition, religion and the caste system 64
5. Conclusion 74
5.1 Reflection 78
5.2 Limitation 79
5.3 Contribution 79
5.4 Future course of further research 80
References 82
Appendices 87
Appendix 1: Background information on focus group members 87
Appendix 2: Focus Group Questions 90
Appendix 3: Public screening of movie “The Lunchbox” in Taipei Public Library 92
Appendix 4: Henna/Mehndi and Forehead markings: Bindi and Tilak 93
Appendix 5: India in three Words: Tag cloud 94
Appendix 6: Articles from textbooks in Taiwanese high schools 96
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