| 研究生: |
王若思 Wang, Jo-Ssu |
|---|---|
| 論文名稱: |
性別再現與閱聽人接收分析:台灣女性觀眾看Netflix韓國競賽實境節目《海妖的呼喚:火之島生存戰》 Gender Representation and Audience Reception: Taiwanese Female Audiences’ Perspectives on Netflix’s Korean Competition Reality Show “Siren: Survive the Island” |
| 指導教授: |
卓庭伍
Cho, Ting-Wu |
| 口試委員: |
卓庭伍
Cho, Ting-Wu 蔡葵希 Cook, Christine Linda 蔡華臻 Tsai, Hwa-Jen |
| 學位類別: |
碩士
Master |
| 系所名稱: |
創新國際學院 - 全球傳播與創新科技碩士學位學程 Master’s Program in Global Communication and Innovation Technology |
| 論文出版年: | 2026 |
| 畢業學年度: | 114 |
| 語文別: | 英文 |
| 論文頁數: | 107 |
| 中文關鍵詞: | 女性能動性 、觀眾接收 、性別再現 、跨國媒介 、實境節目 |
| 外文關鍵詞: | Female Agency, Audience Reception, Gender Representation, Transnational Media, Reality Television |
| 相關次數: | 點閱:206 下載:3 |
| 分享至: |
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本研究探討 Netflix 韓國生存競賽實境節目《海妖的呼喚:火之島生存戰》(Siren: Survive the Island, 2023)中女性能動性的建構,以及台灣女性觀眾對其接收與詮釋。研究採用質性研究,結合敘事分析與對二十二位台灣女性的深度訪談,考察女性力量的再現如何在跨國媒介脈絡中被生產、解讀與協商。研究發現,《海妖的呼喚》主要透過專業性、集體生存與實務能力,來建構女性能動性,而非以傳統女性氣質建構。與此同時,這種賦權仍具有條件性:無論是在節目文本中,還是在觀眾的接收過程中,女性力量都會透過合法性、自我節制與可接受行為等期待來被評價。觀眾的回應也顯示,這些再現會透過地方性的專業框架、倫理觀與日常性別期待來加以理解。總體而言,本研究主張,跨國流動中的女性賦權敘事並非單純地跨越國界傳遞,而是在地方文化框架中被主動重新詮釋、常態化,並受到限制。
This study examines the construction of female agency in the Netflix Korean survival reality show Siren: Survive the Island (2023) and its reception among Taiwanese female audiences. Drawing on a qualitative design that combines narrative analysis with in-depth interviews with twenty-two Taiwanese women, the study investigates how representations of female strength are produced and negotiated in a transnational media context. The findings show that Siren constructs female agency through professionalism, collective survival, and functional competence rather than through conventional femininity. At the same time, this empowerment remains conditional: both the program and its audiences evaluate women’s strength through expectations of legitimacy, restraint, and acceptable conduct. Audience responses further suggest that these representations are interpreted through locally situated frameworks of professionalism, ethics, and everyday gender expectations. Overall, the study argues that transnational narratives of female empowerment are not simply transmitted across borders, but are actively reinterpreted, normalized, and constrained within local cultural frameworks.
Abstract i
摘要 ii
1. Introduction 1
2. Theoretical Background 3
2.1. Representation and Gender Construction 3
2.2. Feminist Media Studies and Critiques 6
2.3. Narrative and Textual Construction in Reality TV 8
2.4. Audience Reception and Engagement 11
3. Methodology 14
4. Results 19
4.1. Narrative Analysis: The Construction of Female Agency in Siren 19
4.1.1. Competition Structure and the Organization of Collective Survival 20
4.1.2. Constructing Professional Identity through Prospection 24
4.1.3. Strategic Ambivalence and the Narrative Policing of Aggression 27
4.1.4. Reframing Vulnerability through Embedded Narratives of Pain and Defeat 36
4.2. Audience Analysis 39
4.2.1. Reconfiguring Gendered Interpretation through Professionalism and Moral Negotiation (Addressing RQ1a and RQ1b) 40
4.2.2. Embodied Resonance in Transnational Media Flow (Addressing RQ2) 61
5. Discussion 71
5.1. Professionalism and Female Agency in Text and Audience Reception 71
5.2. The Equality Paradox in Taiwan 75
5.3. Conditional Empowerment and the Double Bind 77
5.4. Netflix, Transnational Circulation, and the Global Framing of Female Strength 81
5.5. Embodied Reception and Edutainment as Informal Gender Education 84
5.6. Limitations and Future Research 86
Reference 90
List of Tables 98
Appendix A 104
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